While performing in Denver, Van Ark met actress Julie Harris while interviewing her for a local newspaper, and the actress persuaded her to study acting and drama at the Yale Drama School.
As a result, Van Ark became the youngest student ever to receive a scholarship to the well-respected school and the second woman ever to enroll. The first woman was Julie Harris, who helped Van Ark into the school.
“She wrote to the dean and asked him to meet me. Long story short, my parents drove me to New Haven, Connecticut, to meet the dean, who gave me a scholarship,” she recalled.” It was meant to be.”
Valene Ewing on ‘Dallas’ and ‘Knots Landing’
Van Ark began her professional career at the Minneapolis Guthrie Theater, where she starred in The Miser by Moliere. After working about a year at the Arena Stage in Washington DC, she moved down to work with the national touring company Barefoot in the Park in 1963, which led to her Broadway debut. In 1971, she was nominated for the Tony Award for Best Featured Actress in a Play after starring in The School for Wives.
At that point, Joan Van Ark had begun working in front of a screen rather than on stage. She appeared on television series including Temperature’s Rising, Spider-Woman, and Days of Our Lives and even in one episode of Bonanza.
Even though Joan Van Ark wasn’t short of jobs, she was still looking for her significant breakthrough role as the 1980s approached. In 1978, she made several appearances as Valene Ewing on Dallas – which led her to the role of a lifetime.
Knots Landing – a spinoff of Dallas – premiered in 1979, and Joan Van Ark reprised her role as Valene Ewing. She starred in 327 episodes – acting alongside Michele Lee as Karen and Ted Schakleford as Gary – and became a massive star.
Even though it was a spinoff of Dallas – about the rotten but wealthy Ewing Clan – it was initially brought to CBS years before.
However, the network wanted a “big rich family” show, and Dallas got picked as the one. But later on, Knots Landing became a massive success as the studio realized how big of a show Dallas had grown into, and after only one season, it rose into the top 20 in TV ratings.
How Joan Van Ark almost missed out on her biggest role
Knots Landing became the story of Gary Ewing and his wife Valene – played by Van Ark – and how they decided to start a new life in Knots Landing.
However, Van Ark almost missed out on the part of Valene Ewing. She explained that she had a “three-way clash” where she did The Love Boat simultaneously, as well as a commercial in New York.
In the end, it was her husband – John Marshall, who we will come back to in a minute – that persuaded her into choosing Dallas. And it was a significant – and important – decision.
“I got the call asking me to do a guest appearance in this show called Dallas, which was attracting a lot of buzz, but I said to my husband, ‘John, why should I even read this script? I can’t be in three places at once,’” she told Express. “Then he read it and said, ‘No, you’ve got to do it. It looks wonderful.’”
“So basically, he talked me into a schedule that had me in LA one day, then flying to Dallas for two days, followed by two days in New York and then back to Texas. But looking at this old cast photo from Knots Landing – the spinoff from Dallas – I’m so glad I listened to him,” she added.
Dallas and Knots Landing became a 15-year commitment for Van Ark, who became identified by her role. As earlier mentioned, she and Julie Harris had quite a history – and in 1980, they met again
“I could stay forever on the show and be safe”
Harris was cast in Knots Landing as the mother of Van Arks’ character, and for the actress, it was almost too good to be true.
“When the producers told me they had finally last someone to play my mother, I held my breath,” she recalled in a 1984 interview with Florida Today.
“I thought, ‘Oh my God, are they going to say Phyllis Diller or Zsa Zsa Gabor, or who?’ Then they said it was Julie Harris, and I went right through the roof. I couldn’t believe they had picked her to be my mother. They didn’t even know we were friends.”
Joan Van Ark stayed for 13 seasons and 327 episodes on the show. Then in 1993, just one season after she left, Knots Landing was canceled. But the reason for Joan leaving wasn’t that she didn’t like it. Instead, it was all about her trying on new challenges.“I could stay forever on the show and be safe,” Van Ark told the Los Angeles Times in 1992.
“But three years ago, I did Night of the Iguana in Williamstown (Mass.), and I had a quote from Tennessee Williams taped on my mirror, taken from an essay he’d written on success. It said, and I’m paraphrasing here: ‘Security is in the shape of a kidney-shaped pool in Los Angeles, where you sit waiting for your residual checks.’ I was in a comfortable spot on Knots, and an artist should not be comfortable.”
At the same time, the television series became a huge part of Van Ark’s life. So even though she felt comfortable leaving, it was a tough blow since she thought it would be easier.
Blamed herself for ‘Knots Landing’ cancelation
“I have loved more than life the 13 years I’ve had on that show,” she said. “[Knots Landing creator] David Jacobs is a great influence on my life, has taught me so much about so many things. Ted [Shackelford] is the other half of every breath I take on the show, and personally, he’s a large part of my heart. The people are my family–we have shared marriages, deaths, divorces. It’s far more difficult to leave than I thought.”
The show didn’t quite work without the great chemistry between characters Valen and Gary. In fact, Joan took the blame for the show being shut down.
“Well, it was my fault. I jumped over to NBC to do a pilot which did not sell,” she said. “I was so ready to go, after fourteen years with the one lady, so I auditioned for the pilot, and they cast me. It wasn’t as cleanly negotiated as it should have been. When the pilot didn’t sell, they asked me back, and I did do the four-hour finale of the show.”
Joan Van Ark left the soap opera business behind but continued to star in many television series. She had minor parts in television series, including Fresh Prince of Bel-Air, and starred in some television movies. Between 2004 and 2005, Joan appeared as Gloria Fisher in 55 episodes of the hugely successful television drama The Young and The Restless.Joan Van Ark – marriage, husband, children
It’s common for celebrities in Hollywood to marry other celebrities, and show-biz marriages don’t always last very long.
But that wasn’t the case for Joan Van Ark, who met the love of her life back in high school. She met her husband, John Marshall, while the two were students in Boulder. In 1966, the couple married on a military base in Germany.
“Believe me, it was nothing like the marriages [Valene Ewing] has gone through,” she told UPI.
In 1969, they welcomed daughter Vanessa Marshall, who also chose a career in entertainment. She became a well-known voice-over artist and actually gave up on her on-camera acting career. Instead, Vanessa Marshall has lent her voice to animated films, television series, and several video games.
John Marshall went on to become an Emmy newsman, working on KNBC-TV and NBC. He’s had a flourishing career just as his wife Joan, and while the couple was working hard to make it in their respective fields, Vanessa was growing up.
For Van Ark, becoming a mother while trying to navigate through the business was tough. And she gives credit to her husband, John, for keeping the family together during those stressful years.
“He is the reason we have the most wonderful daughter in the world and that the marriage has stayed strong,” Van Ark told The Leader-Post in 1988. “I feel I am the committed person who can’t give up time for this or that.”
“He did not want to miss watching Venessa grow up, and he did not want to miss me,” she added. “He knows correspondents live out of suitcases. John made career choices I didn’t agree with because if it had been me, I would have packed my bags, and I would have been waiving at the airport.”Joan Van Ark – net worth
Besides her acting job, Joan Van Ark has a great interest in running. The 78-year-old has completed several marathons and explained she’s running instead of going to a psychologist. However, when it comes to her husband, she stated that she would never go on a run with him.
Why? Because “it’s the quickest way to a divorce that I know of. You’re always criticizing the other’s style,” Joan said.
In the last decade, Joan Van Ark has continued to work on stage in several productions for theater and starring in television series and movies such as Watercolor Postcards and Psycho Wedding Crasher. But she will always be most remembered for her magnificent spell on Dallas and Knots Landing.
According to Celebrity Net Worth, Joan Van Ark has a net worth of around $10 million.
Neighbors Made Me Put up a Fence to Hide an ‘Ugly’ Car in My Yard – A Week Later, They Begged Me to Remove It
I didn’t quite see my neighbors’ vintage ’67 Chevy Impala the same way, but to me it was more than just a rusty heap. What was supposed to be a fight over a “eyesore” developed into something none of us saw coming. It altered our peaceful suburban street in ways we never would have imagined.
My dad left me an ancient, beat-up 1967 Chevy Impala. I saw it as a project I wanted to restore and a reminder of my father, even though most people just saw it as a rusted automobile. My garage was piled high with tools and spare components, so the automobile sat in my yard. I’d been trying to save money and find time to work on it, but I knew it looked awful.
But my neighbors were far more concerned about this than I was. I was out inspecting the Impala one bright afternoon when I suddenly remembered something. Gus, my dad, was demonstrating how to change the oil. He smiled, his thick mustache twitching. “You see, Nate? It isn’t complicated science. Simply perseverance and hard work,” he had stated. A piercing voice jolted me back to reality as I was lost in thinking as I ran my fingers over the worn paint. A man leaning against a vintage car’s front end.
Please pardon me, Nate. Could we discuss about that? I turned to see my next-door neighbor, Karen, pointing disgustingly at the Impala. Hello, Karen. What’s going on?” Knowing where this was going, I asked.”That vehicle. It is aesthetically offensive. With crossed arms, she remarked, “It’s destroying the appearance of our street.” I exhaled. “I realize it appears rough right now, but I intend to fix it. It was my dad’s, but Karen cut him off, saying, “I don’t care whose it was.” It must be removed. or at the very least remain unseen. She pivoted and marched back to her house before I could reply.
As I watched her leave, I noticed a knot in my stomach. I vented to my girlfriend Heather over dinner later that night. “Do you think she’s real? “It seems as though she is unaware of the significance this car holds for me,” I remarked, picking at my salad. Squeezing my hand, Heather reached across the table. “I understand, sweetie. However, would you try working on it a little bit more quickly? simply to demonstrate to them your progress? I nodded, but I knew in my heart that it wasn’t that easy. Time was of the essence, and parts were costly.
When I returned home a week later, I discovered a notice from the city hidden beneath the wiper on my “offending” car. As I read it, my stomach fell. The general idea was to either remove the car or conceal it behind a fence. I clenched the piece of paper in my hand, feeling a surge of rage within. This was absurd. I required guidance. I picked up my friend Vince, who also loves cars. “Hey, buddy, have a moment? I’d like your opinion on something. Okay, what’s going on? Vince’s voice came across the phone crackling. I described the circumstances, becoming more irritated as I spoke. Before he spoke, Vince was silent for a while.
He spoke carefully and added, “Build the fence, but add a twist.” “What do you mean?” I curiously inquired.”You’ll discover. This weekend, I’ll be here. This will provide for some enjoyable times. Vince arrived that weekend with a truck full of paint and wood. For the next two days, we worked on erecting a towering fence to enclose my front yard. Vince told me about his strategy as we worked together. “We’re going to decorate this fence with a mural of the Impala. Every rust mark, every ding. We’ll make sure they remember the car if they decide to hide it. Loved the idea, I smiled. “Let’s get started.”On Sunday, we painted. Even though none of us was artistic, we were able to replicate the Impala on the fence really well.
For added effect, we even made some of the flaws seem worse. I was satisfied with my work when we took a step back to admire it. I decided to find out what the neighbors thought of this. It didn’t take me long to learn. There came a knock on my door the following afternoon. When I opened it, a cluster of neighbors surrounding Karen as she stood there. Their expressions were a peculiar mix of desperation and rage. “Nate, we need to talk about the fence,” Karen said in a tight voice. Hiding my delight, I leaned against the doorframe. How about it? I followed your instructions.
The automobile is now hidden.An older man called Frank, one of the other neighbors, raised his voice. We understand that we requested you to conceal the car, but this mural is simply too much, son. I arched an eyebrow. “Too much? In what way? Karen let out a deep sigh. “It’s more awful than the car itself. It appears as though you’ve transformed your entire yard into… “A show of art?” Unable to control my sarcasm, I made a suggestion. “A disgrace,” Karen firmly concluded. “We would prefer to see the actual car instead of this… monstrosity.”Maybe a little too much, I enjoyed their anguish as I crossed my arms. Now, allow me to clarify. You made me spend money on a fence after complaining about my automobile, and now you want me to pull it down? They all gave bashful nods.
After giving it some thinking, I decided to remove the fence—but only under one condition. As long as I’m working on fixing the car, you guys promise to quit whining about it. Alright?They glanced at one another before grudgingly agreeing. I could hear them whispering to each other as they left. I started tearing down the fence the following day. Some of my neighbors were seeing me work with interest. Even Tom, one of them, stopped over to talk. “I never really looked at that car before, Nate,” he remarked, pointing to the Impala. However, after getting a closer look, I can see that it has potential. Which year is it?I grinned, always up for a conversation about the car. It’s a 1967. When I was a little child, my dad purchased it. Tom gave a grateful nod. Good. My brother has a thing for vintage autos.
In the event that you require assistance with the restoration, I might contact him. I took aback at the offer. That would be fantastic. Regards, Tom. In the ensuing weeks, word of my initiative grew. To my astonishment, a number of neighborhood auto aficionados began dropping by to examine the Impala and provide guidance or assistance. I was working on the engine one Saturday morning when I heard a familiar voice behind me. “So, this is the well-known vehicle, huh?” I turned to see Karen standing there, intrigued yet seeming uneasy. I wiped my hands with a cloth and remarked, “Yep, this is her.” Karen moved in closer, staring at the motor. “I must admit that my knowledge of autos is quite limited.
How are you spending your time? Startled by her curiosity, I gave the bare outline of the project I was working on. More neighbors flocked around to listen and ask questions while we conversed. My yard quickly became the scene of an unplanned block party. A cooler full of drinks was brought out, and individuals started talking about their early automotive experiences or their recollections of owning vintage automobiles. I was surrounded by my neighbors as the sun was setting, and we were all conversing and laughing. Karen seems to be having fun as well. Looking at the Impala in the lovely evening light, it seemed better than ever, while still being rusty and battered up.
I couldn’t help but think about how much my father would have enjoyed this scene.Speaking to the group, I remarked, “You know, my dad always said a car wasn’t just a machine.” It was a narrative reimagined. Considering how many stories this old girl has brought out today, I believe he would be quite pleased. There were lifted glasses and murmurs of agreement. I noticed something as I turned to face my neighbors, who were now my pals. Despite all of the difficulty it had caused, this car had ultimately brought us all together. Though the restoration was still a long way off, I sensed that the voyage ahead would be much more pleasurable. Who knows?
Perhaps a whole neighborhood full of vintage vehicle lovers would be eager to go for a drive by the time the Impala was ready to hit the road. I lifted my cup. “To wonderful cars and good neighbors,” I uttered. Everyone applauded, and while I was surrounded by smiles and lively chatter, it occurred to me that sometimes the greatest restorations involve more than simply automobiles. They also care about the community. How would you have responded in that situation?
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