Chinese-Mexican showgirl Lyn May starred in almost a hundred films, captivating both presidents and viewers. Known as “The Goddess of Love,” her life abruptly changed in the early 1990s when a regular Botox session went horribly wrong, permanently changing the way she looked.
Lyn’s early years were difficult. She was born in Acapulco, Mexico, in 1952 as Lilia Guadalupe Mendiola Mayares. Selling mementos to tourists helped her family financially. Later, she worked as a waitress, where she met the American sailor who was thirty years her older and became her first love. After relocating to Mexico City and having two daughters, the couple’s relationship ended when Lyn accused him of abuse.
Lyn started her dancing career in Acapulco after getting divorced. Television producers were immediately drawn to her distinctive approach, which resulted in appearances on the hit program *Siempre en Domingo*. After she gained notoriety, she was approached by Enrique Lombardini, who extended an invitation for her to participate in burlesque productions at Teatro Esperanza Iris. After initially being apprehensive, Lyn gradually came to love the burlesque look, which made her famous in the Ficheras films of the 1970s and 1980s and earned her the title “Lyn May: The Goddess of Love.” But Lyn’s notoriety declined along with the box office success of these movies.
Reminding everyone of her timeless appeal, Lyn May triumphantly returned to the spotlight in the late 1990s, making appearances in music videos, TV shows, and documentaries. Her public character may have been audacious, but her private life was tragic. In 1989, following her divorce from her first husband, Lyn wed businessman Antonio Chi Su. Together, the couple founded a Chinese restaurant, but their joy was short-lived as Chi Su died in 2008 from prostate cancer. In a surprising admission made in an open interview, Lyn later acknowledged to exhuming her husband’s body and slept next to it while she struggled to deal with her loss.
Lyn May’s life has been full of audacious claims and contentious deeds, such as her assertion that she had an affair with a previous Mexican president, but she never revealed who he was. She wed film producer Guillermo Calderón Stell in 2008, and they remained together until his passing in 2018.
When Lyn revealed she was expecting her 68-year-old fiancé, Markos D1, at the age of 29, in 2021, she grabbed headlines once more. Many people were skeptical of the news and expressed a great deal of curiosity, with many doubting its veracity. Later on, it came to light that the revelation of her pregnancy was a PR ploy to highlight her impending farewell tour.
Lyn May has faced difficulties in her quest for beauty. An attempt at a cosmetic operation early in her career to improve her facial features went horribly wrong. Instead of injecting collagen, a con artist gave her cooking oil injections, which left her face covered in ugly lumps. The fact that the damage was not completely healed after several surgeries served as a constant reminder of her pursuit of perfection.
Even in modern times, Lyn May is still regarded as a fascinating and resilient person. Her narrative is one of not just fame and beauty but also of personal hardship and the will to follow her own path.
I Allowed a Homeless Woman to Stay in My Garage—One Day I Walked in Unannounced and Was Shocked by What I Saw
I tapped the steering wheel, trying to shake the weight on my chest, when I spotted a disheveled woman digging through a trash can. I slowed down, drawn in by her grim determination.
She looked fragile yet fierce, fighting for survival. Without thinking, I pulled over, rolled down my window, and asked, “Do you need help?”
Her response was sharp but tired: “You offering?”
“I just saw you there,” I admitted, stepping out. “It didn’t seem right.”
“What’s not right is life,” she scoffed, crossing her arms. “You don’t strike me as someone who knows much about that.”
“Maybe not,” I replied, then asked if she had a place to stay.
“No,” she said, and I felt compelled to offer my garage as a temporary home. To my surprise, she accepted, albeit reluctantly.
Over the next few days, we shared meals and conversations. Lexi’s sharp wit broke through my loneliness, but I could sense her hidden pain.
One afternoon, I barged into the garage and froze. There, sprawled across the floor, were grotesque paintings of me—chains, blood, a casket. Nausea hit me.
That night, I confronted her. “What are those paintings?”
Her face went pale. “I didn’t mean for you to see them. I was just… angry.”
“So you painted me as a monster?” I demanded.
She nodded, shame in her eyes. “I’m sorry.”
I struggled to forgive her. “I think it’s time for you to go.”
The next morning, I helped her pack and drove her to a shelter, giving her some money. Weeks passed, and I felt the loss of our connection.
Then, a package arrived—another painting. This one was serene, capturing a peace I hadn’t known. Inside was a note with Lexi’s name and number.
My heart raced as I called her. “I got your painting… it’s beautiful.”
“Thank you. I didn’t know if you’d like it,” she replied.
“You didn’t owe me anything,” I said, reflecting on my own unfairness.
“I’m sorry for what I painted,” she admitted. “You were just… there.”
“I forgave you the moment I saw that painting. Maybe we could start over.”
“I’d like that,” she said, a smile evident in her voice.
We made plans to meet again, and I felt a flicker of hope for what could be.
Leave a Reply