Sir Elton John and his husband, David Furnish, have been together for more than 20 years. They have two sons, Zackary and Elijah, and they are working hard to raise them to be humble and understand the value of money.
Sir Elton John is a famous musician with 32 albums and shows no signs of slowing down. At 73, he still gets many gig bookings.
Even though Sir Elton John has had a successful career for over 30 years, he is now focusing more on his personal life, including his marriage to David Furnish and their two sons, Zachary and Elijah.
Before becoming a parent, John and Furnish had a whirlwind romance that began in 1993. John said he returned to his home in Windsor and wanted to meet new people, so he asked a friend to organize a dinner. David Furnish was among the guests, and John felt an immediate connection with him. He liked that Furnish was a bit shy and dressed nicely.
The next day, they went on a date, which led to their long-term relationship. They were in a civil partnership for nine years and got married in 2014. They shared their wedding day with their sons, who were ring bearers, and posted about it on Instagram.
For John and Furnish, sharing their special day with their kids was heartwarming, especially since their journey to becoming parents was challenging. In 2009, they connected with a Ukrainian boy named Lev at an orphanage for children with HIV. They wanted to help him because he came from a broken family, but the government didn’t allow it since Lev was considered too old. Despite this, they continued to support and talk to him
Meeting Lev made John realize that he could become a father. He admitted he never thought he’d have kids because he felt too old. Shortly after, they had their first son, Zachary, in 2010 via surrogate, and their second son, Elijah, in 2013.
**Raising Kids Out of the Spotlight**
Even with their busy lives, the couple wanted to be very involved in their children’s lives. “We don’t want to leave raising our kids to nannies and housekeepers,” said Furnish. Becoming parents was the best decision for them, and their main goal now is to raise their sons to be happy and healthy.
John wrote a touching letter to his sons, saying how much they have changed his life. “Zachary and Elijah, you are the greatest gifts I’ve ever received. You’ve filled my heart with love and my life with purpose and meaning in ways I didn’t think were possible,” the singer wrote.
John and Furnish are proud of their family and want their children to always remember the love and support they will receive from their parents.
Since becoming parents, John has talked about how his views on life have changed. He and his husband now focus more on spending quality time with their sons than on material things. John admitted that they used to spend a lot before having kids, but now they have cut back and focus on only what they need.
The couple has also been teaching their children about the value of money and the effort needed to earn it. John knows his kids have a comfortable life but wants them to stay humble. He doesn’t plan to leave them his entire estate. Instead, he wants to provide a good life while keeping them grounded. He explained:
“Of course, I want to leave my boys in a good financial position. But giving kids everything can ruin their lives.”
From when their sons were toddlers, John has worked to teach them about money. At ages five and three, Zachary and Elijah might not have fully grasped their parents’ fame, but John and Furnish taught them about saving and spending.
Back in 2016, John shared that the boys would earn £3 ($3.74) for doing chores around the kitchen or garden. They would then split their money into three categories: charity, savings, and spending. As they grew older, their chores included cleaning their rooms, and they earned stars for each task they completed.
Although their children’s lives are far from ordinary, John and Furnish strive to keep things as normal as possible. John mentioned that their kids live like local children and are not isolated behind the gates of a mansion.
When asked about raising his kids in the spotlight, John acknowledged the challenges but said he finds the public “brilliant” and “not hostile.” He doesn’t mind taking photos with his family and enjoys spending time with them outside their home, like going out for pizza or a movie.
John makes sure not to miss important moments with his children due to his fame. He often picks them up and drops them off at school.
**Elton John Shows Off His Sons**
John and his husband usually keep their sons away from social media, but the “Rocket Man” singer recently shared a rare photo of Furnish, their sons, and their godmother, Lady Gaga. John expressed his sadness at not being able to join them for the photo but sent his love.
10 Little-Known Mistakes in Pretty Woman That Will Blow Your Mind
Pretty Woman is one of those movies I can watch over and over — it never gets old or boring.
But considering how many times I’ve seen it, it’s surprising that I’ve never noticed these bloopers and mistakes that tell a different story about the film.
Disney changed everything
*Pretty Woman* became a romantic comedy that captured millions and launched Richard Gere and Julia Roberts to fame.
But that’s not how it was originally meant to be. The first screenplay was titled *3,000*, written by then-struggling screenwriter J.F. Lawton. The early draft dealt with much darker themes about social inequality and corporate greed.
However, everything changed when Disney took over. The company chose to downplay the themes of class and sex work in Los Angeles. Instead, Disney gave it a big budget and turned it more into a romantic comedy.
Al Pacino turned down the lead role
For me, it’s hard to imagine anyone but Richard Gere as Edward Lewis, the wealthy businessman from New York who hires Vivian (Julia Roberts) to be his escort for a week.
The casting process for *Pretty Woman* took longer than expected, with Al Pacino initially in the running for the role of Lewis. The famous actor even took part in a casting reading with Julia Roberts but ultimately decided to pass on the part.
Although he liked the script, Pacino never explained why he turned it down. Looking back, he has shown respect for Roberts, who was a relatively unknown actress at the time.
“I mean, you could tell at the reading that this was going to be good, that it would be a hit,” Pacino said.
He also mentioned: “And this girl was amazing. I asked Gary, ‘Where did you find this girl?’” (Gary being Gary Marshall, the film’s director). Pacino’s instincts were right, as Roberts’s outstanding performance would shape her career and the film’s legacy.
The croissant becomes a pancake
In the scene where Richard Gere’s character orders breakfast in the room, there’s a funny little detail you might not have noticed. It starts with Vivian enjoying a croissant while talking to Edward.
But then, in an instant, the croissant magically turns into a pancake.
How did that happen? According to director Garry Marshall, he liked Julia Roberts’ performance in the later takes, where she was eating a pancake instead of the croissant, so they decided to use that footage.
However, this caused a continuity issue. In the first shot with the pancake, Vivian takes a second bite, but in the next shot, the pancake only has one bite missing, and the bite marks are clearly different.
It’s clearly not the same pancake!
Truth behind the iconic dress
The careful attention to costume design might go unnoticed by most moviegoers. However, whether you notice fashion or not, it’s hard to miss the iconic red dress that Julia Roberts’ character wears in the film.
The red dress represents Vivian’s transformation and empowerment during a key scene in the movie when Roberts’ character joins Edward Lewis for a night at the opera.
Vogue described the dress as “eye-catching, incredibly sexy without losing any elegance.” The genius behind that stunning dress? The award-winning costume designer Marilyn Vance.
She created six fabulous outfits for Julia Roberts’ character, Vivian Ward, and also designed Richard Gere’s stylish looks.
For example, the charming brown-and-white polka dot dress Roberts wore to the horse race was made from old silk found in a small antique fabric shop in Los Angeles — talk about recycling in style! And those chic shoes? They were by Chanel.
Richard Gere’s tie
As for Gere’s wardrobe, it was a masterclass in color coordination, featuring brown, navy, and blue-gray suits, all designed by Vance.
Now, about that famous tie that Roberts takes from a store employee? According to Vance, it was “nothing special” and definitely not a designer piece.
She bought it in a Los Angeles shop for $48.
The tie appears several times in the film, and if you watch closely, you might notice that it mysteriously changes knots from time to time.
During the polo match, Edward wears a straight-collar shirt with the tie that Vivian gave him, knotted in a half-Windsor. But in a later scene, sharp-eyed viewers can see a subtle change — Edward’s collar has turned into a spread style, and the tie is now in a full-Windsor knot.
‘Obscene’ shopping spree
When Richard Gere shows Julia Roberts’ character the glamorous world of the rich, he takes her on a wild shopping spree down Rodeo Drive in Beverly Hills.
That afternoon shopping trip? It would have cost Gere’s character at least $30,000, according to designer Marilyn Vance.
Talk about a shopping spree on steroids! It’s like they were shopping with Monopoly money — no wonder Vivian was in a daze.
The ruby-and-diamond necklace was real
The jewelry Julia Roberts wore with her stunning red ball gown — a heart-shaped necklace made of rubies and diamonds — was valued at an incredible quarter million dollars. Yes, you heard that right.
According to movie trivia sites, this ruby-and-diamond masterpiece was the real deal. In fact, while filming, an armed security guard from the jewelry store responsible for this extravagant necklace stood watch behind the director.
Jewelry box scene was a practical joke
The scene where Richard Gere gives Julia Roberts the expensive necklace is not only one of the most romantic and iconic moments in movie history, but it also has a funny backstory.
Originally, it was meant as a playful prank for the film’s gag reel.
As you might remember, the jewelry box snaps shut on Julia Roberts’ fingers, causing one of the most genuine and charming laughs ever caught on film.
The real story behind the scene came from director Garry Marshall, who explained why he and Gere decided to play this trick on the young actress.
According to Marshall, Roberts, who was just 23 at the time, would sometimes show up on set a little sleepy after a late night out.
“I said, ‘Richard, you gotta wake her up a little, so when she reaches for the box, slam it.’ It was a soft box. I would never hurt her,” Marshall explained.
It wasn’t until the final stages of editing that they decided to keep the scene in the movie. “We put it in… and it became like the trademark of the movie,” Marshall said.
And just like that, an unscripted joke turned into cinematic magic.
Edward’s disappearing shoes
As mentioned earlier, there are some mistakes in *Pretty Woman* that aren’t easy to spot on the first viewing, but some keen viewers have noticed them.
For instance, when they leave the opera and head to the park, Vivian takes off Edward’s shoes. However, as he begins to lie down, the shoes magically reappear.
Money in the boot
Speaking of things on (or in) your feet, there’s a little mystery involving Vivian’s boots that you might have missed.
When Edward gives her $100 in the penthouse, she slips the cash right into her boot for safekeeping. But later, after room service arrives with champagne and she takes off her boots, the money has mysteriously disappeared.
Did the cash vanish into thin air, or is Vivian just really good at hiding things? Maybe those boots had a secret compartment, or perhaps the $100 simply didn’t want to stick around for the rest of the film…
Four colored condoms
When Vivian offers Edward a selection of colorful condoms, it seems they have a mind of their own.
Vivian starts with four neatly arranged options (not counting that fancy gold circle one). But in the next shot, the order has magically changed.
Richard Gere didn’t like his character
Richard Gere has certainly gained from the success of *Pretty Woman*—both in his career and his bank account. But he hasn’t always been fully positive about the film, especially regarding his character, Edward. At a film festival in Venice, Gere described Edward as “criminally underwritten.” He added, “Basically, he’s just a suit and a good haircut.”
One scene in particular seemed to bother Gere, where Edward plays the piano while Vivian moves closer. Reflecting on it, Gere sarcastically said, “I mean, no chemistry. This actor and this actress obviously had no chemistry between them… I haven’t seen that in a long time. That’s a sexy scene.”
Director Garry Marshall came up with the idea for the scene after asking Gere what he usually did late at night in a hotel. Gere remembered, “I said, ‘Well, I’m usually jet lagged, so I’m up all night. Usually, there’s a ballroom or a bar, and I’ll find a piano and play it.’” Marshall then suggested, “Well, let’s do something with that.”
So, the scene was mostly improvised, with Gere explaining: “He said, ‘Play something moody.’ I just started playing something moody that reflected this character’s interior life.”
Then, just as mysteriously, the original lineup of condoms snaps back in the third shot. It’s as if the condoms were having their own little dance routine behind the scenes.
More than just onscreen lovers
If you ask me, the chemistry between Julia Roberts and Gere in *Pretty Woman* was undeniable. But the sparks didn’t just fly when the cameras were rolling — they formed a close bond off-screen too.
In 2017, Gere shared that he still talks to Roberts “all the time,” and back in the day, they would chat “three or four times a day.”
You could say it was love at first sight, in a friendly sort of way.
Even in a fairytale romance, things don’t always go as planned. Maybe that’s what makes this movie so charming and keeps us watching it again and again, year after year.
Did we miss your favorite *Pretty Woman* blooper? Share it with us and keep the fun going!
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