I didn’t quite see my neighbors’ vintage ’67 Chevy Impala the same way, but to me it was more than just a rusty heap. What was supposed to be a fight over a “eyesore” developed into something none of us saw coming. It altered our peaceful suburban street in ways we never would have imagined.
My dad left me an ancient, beat-up 1967 Chevy Impala. I saw it as a project I wanted to restore and a reminder of my father, even though most people just saw it as a rusted automobile. My garage was piled high with tools and spare components, so the automobile sat in my yard. I’d been trying to save money and find time to work on it, but I knew it looked awful.
But my neighbors were far more concerned about this than I was. I was out inspecting the Impala one bright afternoon when I suddenly remembered something. Gus, my dad, was demonstrating how to change the oil. He smiled, his thick mustache twitching. “You see, Nate? It isn’t complicated science. Simply perseverance and hard work,” he had stated. A piercing voice jolted me back to reality as I was lost in thinking as I ran my fingers over the worn paint. A man leaning against a vintage car’s front end.
Please pardon me, Nate. Could we discuss about that? I turned to see my next-door neighbor, Karen, pointing disgustingly at the Impala. Hello, Karen. What’s going on?” Knowing where this was going, I asked.”That vehicle. It is aesthetically offensive. With crossed arms, she remarked, “It’s destroying the appearance of our street.” I exhaled. “I realize it appears rough right now, but I intend to fix it. It was my dad’s, but Karen cut him off, saying, “I don’t care whose it was.” It must be removed. or at the very least remain unseen. She pivoted and marched back to her house before I could reply.
As I watched her leave, I noticed a knot in my stomach. I vented to my girlfriend Heather over dinner later that night. “Do you think she’s real? “It seems as though she is unaware of the significance this car holds for me,” I remarked, picking at my salad. Squeezing my hand, Heather reached across the table. “I understand, sweetie. However, would you try working on it a little bit more quickly? simply to demonstrate to them your progress? I nodded, but I knew in my heart that it wasn’t that easy. Time was of the essence, and parts were costly.
When I returned home a week later, I discovered a notice from the city hidden beneath the wiper on my “offending” car. As I read it, my stomach fell. The general idea was to either remove the car or conceal it behind a fence. I clenched the piece of paper in my hand, feeling a surge of rage within. This was absurd. I required guidance. I picked up my friend Vince, who also loves cars. “Hey, buddy, have a moment? I’d like your opinion on something. Okay, what’s going on? Vince’s voice came across the phone crackling. I described the circumstances, becoming more irritated as I spoke. Before he spoke, Vince was silent for a while.
He spoke carefully and added, “Build the fence, but add a twist.” “What do you mean?” I curiously inquired.”You’ll discover. This weekend, I’ll be here. This will provide for some enjoyable times. Vince arrived that weekend with a truck full of paint and wood. For the next two days, we worked on erecting a towering fence to enclose my front yard. Vince told me about his strategy as we worked together. “We’re going to decorate this fence with a mural of the Impala. Every rust mark, every ding. We’ll make sure they remember the car if they decide to hide it. Loved the idea, I smiled. “Let’s get started.”On Sunday, we painted. Even though none of us was artistic, we were able to replicate the Impala on the fence really well.
For added effect, we even made some of the flaws seem worse. I was satisfied with my work when we took a step back to admire it. I decided to find out what the neighbors thought of this. It didn’t take me long to learn. There came a knock on my door the following afternoon. When I opened it, a cluster of neighbors surrounding Karen as she stood there. Their expressions were a peculiar mix of desperation and rage. “Nate, we need to talk about the fence,” Karen said in a tight voice. Hiding my delight, I leaned against the doorframe. How about it? I followed your instructions.
The automobile is now hidden.An older man called Frank, one of the other neighbors, raised his voice. We understand that we requested you to conceal the car, but this mural is simply too much, son. I arched an eyebrow. “Too much? In what way? Karen let out a deep sigh. “It’s more awful than the car itself. It appears as though you’ve transformed your entire yard into… “A show of art?” Unable to control my sarcasm, I made a suggestion. “A disgrace,” Karen firmly concluded. “We would prefer to see the actual car instead of this… monstrosity.”Maybe a little too much, I enjoyed their anguish as I crossed my arms. Now, allow me to clarify. You made me spend money on a fence after complaining about my automobile, and now you want me to pull it down? They all gave bashful nods.
After giving it some thinking, I decided to remove the fence—but only under one condition. As long as I’m working on fixing the car, you guys promise to quit whining about it. Alright?They glanced at one another before grudgingly agreeing. I could hear them whispering to each other as they left. I started tearing down the fence the following day. Some of my neighbors were seeing me work with interest. Even Tom, one of them, stopped over to talk. “I never really looked at that car before, Nate,” he remarked, pointing to the Impala. However, after getting a closer look, I can see that it has potential. Which year is it?I grinned, always up for a conversation about the car. It’s a 1967. When I was a little child, my dad purchased it. Tom gave a grateful nod. Good. My brother has a thing for vintage autos.
In the event that you require assistance with the restoration, I might contact him. I took aback at the offer. That would be fantastic. Regards, Tom. In the ensuing weeks, word of my initiative grew. To my astonishment, a number of neighborhood auto aficionados began dropping by to examine the Impala and provide guidance or assistance. I was working on the engine one Saturday morning when I heard a familiar voice behind me. “So, this is the well-known vehicle, huh?” I turned to see Karen standing there, intrigued yet seeming uneasy. I wiped my hands with a cloth and remarked, “Yep, this is her.” Karen moved in closer, staring at the motor. “I must admit that my knowledge of autos is quite limited.
How are you spending your time? Startled by her curiosity, I gave the bare outline of the project I was working on. More neighbors flocked around to listen and ask questions while we conversed. My yard quickly became the scene of an unplanned block party. A cooler full of drinks was brought out, and individuals started talking about their early automotive experiences or their recollections of owning vintage automobiles. I was surrounded by my neighbors as the sun was setting, and we were all conversing and laughing. Karen seems to be having fun as well. Looking at the Impala in the lovely evening light, it seemed better than ever, while still being rusty and battered up.
I couldn’t help but think about how much my father would have enjoyed this scene.Speaking to the group, I remarked, “You know, my dad always said a car wasn’t just a machine.” It was a narrative reimagined. Considering how many stories this old girl has brought out today, I believe he would be quite pleased. There were lifted glasses and murmurs of agreement. I noticed something as I turned to face my neighbors, who were now my pals. Despite all of the difficulty it had caused, this car had ultimately brought us all together. Though the restoration was still a long way off, I sensed that the voyage ahead would be much more pleasurable. Who knows?
Perhaps a whole neighborhood full of vintage vehicle lovers would be eager to go for a drive by the time the Impala was ready to hit the road. I lifted my cup. “To wonderful cars and good neighbors,” I uttered. Everyone applauded, and while I was surrounded by smiles and lively chatter, it occurred to me that sometimes the greatest restorations involve more than simply automobiles. They also care about the community. How would you have responded in that situation?
‘DWTS’ star, mocked as orphan for spotty skin, dies at 29, – adoptive mom dies next day
The ballet world is mourning the death of Dancing with the Stars’ Michaela Mabinty DePrince, an inspirational ballerina who beat staggering odds to become one of the world’s most famous dancers.
Michaela, an orphan from war-torn Sierra Leone, was a dancer with the Boston Ballet who gained widespread notoriety after starring in the 2011 documentary First Position. She died September 10 at only 29.
Adding to the family’s tragic loss, Michaela’s adoptive mom – who rescued Michaela from the filthy shelter where she was told she was “too ugly” to find a family – died only 24 hours later.
After her father was brutally killed in war-torn Sierra Leone and her mother died from fever, four-year-old Michaela Mabinty DePrince was abandoned by her uncle in a shelter where staff every day tried to break her spirit.
Known then as “Number 27” a young Michaela had little hope of finding a family as she had vitiligo, a condition that causes patches of skin to lose pigmentation.
The young girl, called “the devil child” because of her patchy skin, was told repeatedly that she was too ugly to be picked.
“We were all ranked from the most favored to the least, and I was at the very bottom for being rebellious and having a skin condition called vitiligo, which produces white freckles on my neck and chest,” Michaela said, adding she slept on a grass sleeping mat with “Number 26.”
Aside from the vomit-stained nightgown she was wearing, all she had was a magazine, which according to Glamour had (literally) blown onto her face. And on the cover was a ballerina en pointe – a dancer supporting all her body weight on the tips of her toes.
“The dancer looked beautiful and happy, that’s what caught my eye,” Michaela tells Glamour. “I wanted to be happy.”
And the crumpled old photo of the ballerina was the first thing she handed Elaine DePrince, who took her to her new home in New Jersey.
“There was so much love right away,” said Michaela, who over the next two decades would be the prima ballerina on the cover of magazines. “I had never been surrounded by something like that.”
‘My life is proof’
Michaela’s passion for dancing was ignited at a young age, and she pursued her dreams with remarkable dedication.
In 2011, Michaela became one of the stars of First Position, a documentary that followed six gifted dancers leading up to the competition for a place in the prestigious American Ballet Theatre’s Jacqueline Kennedy Onassis School of Ballet (JKO)
She not only earned a spot but was also awarded a scholarship to study at JKO.
The same year the award-winning documentary was released, Michaela also appeared on Dancing with the Stars.
“My life is proof that no matter what situation you’re in, as long as you have a supportive family, you can achieve anything,” Michaela said.
In 2012, the talented ballerina joined the renowned Dance Theatre of Harlem, where she continued to shine as a rising star. Her exceptional talent and grace later led her to the Dutch National Ballet, where the War Child Ambassador further established herself as a formidable presence in the ballet world.
While she was living in Amsterdam and training for The Nutcracker, she received a call, inviting her to travel to New Orleans and dance in Beyonce’s hour-long video, Lemonade, which was released in 2016.
Speaking with the Wall Street Journal of meeting the pop sensation, Michaela said, “She walked up to me and said, ‘It’s such an honor to have you here.’ I was really cheesy and said, ‘The honor is mine.’ I was on cloud nine.”
‘Beacon of hope’
On September 10, her family released a heartbreaking message about the principal soloist with the Boston Ballet.
“Rest in Power,” the post starts about the dancer who died on September 10. “With pain in our hearts, we share the loss of star ballerina Michaela Mabinty DePrince, whose artistry touched countless hearts and whose spirit inspired many, leaving an indelible mark on the world of ballet, and beyond.”
The Facebook post describes Michaela as an inspiration who “stood as a beacon of hope for many, showing that no matter the obstacles, beauty and greatness can rise from the darkest of places.”
The cause of her death has not yet been released.
Mom ‘spared the pain’
Only 24 hours after Michaela’s sudden death, her doting adoptive mom Elaine DePrince died on September 11 “during a routine procedure in preparation for a surgery.”
A family statement on Facebook explains that at the time of Elaine’s death, she was unaware that her daughter had died.
“As unbelievable as it may seem, the two deaths were completely unrelated. The only way we can make sense of the senseless is that Elaine, who had already lost three children many years ago, was by the grace of God spared the pain of experiencing the loss of a fourth child.” The message continues, “What the family is going through right now is truly unimaginably painful. Grieving two family members who died within a 24-hour period is tragic and devastating. We continue to ask for privacy…”
Rest in peace Michaela and Elaine. Please share your thoughts with us and then share this story so we can all send a lot of love to the family and friends of this mother-daughter duo.
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