John Amos, the talented television actor recognized for his performances in The Mary Tyler Moore Show, Good Times, The West Wing, and Roots, has passed away at the age of 84.
His family shared that Amos died of natural causes in his Los Angeles home on August 21, but the announcement was only made public today.
“With deep sadness, I announce that my father has transitioned,” his son, Kelly Christopher Amos, said in a statement to Deadline. “He was a man with an incredibly kind heart and a golden spirit… loved by people everywhere. Many fans regarded him as their TV father.”
Born on December 27, 1939, in Newark, New Jersey, Amos initially pursued a career in football, playing in the Continental Football League and the Atlantic Coast Football League. He was signed by the Denver Broncos in 1964 but was released before the season due to an injury.
His acting career, however, proved more successful. He gained recognition as weatherman Gordy Howard on the popular sitcom The Mary Tyler Moore Show, a role he held from 1970 to 1973.
Amos is best remembered for his portrayal of James Evans, the father in the classic sitcom Good Times. At just 34 years old when he was cast, he convincingly depicted a hardworking father of three living in a low-income housing project.
The show was lauded for its exploration of significant issues like poverty and racism. However, as the series progressed, Amos had disagreements with the writers and producers regarding the portrayal of Black families and the show’s shift toward broader comedic themes. After season 3, he was let go, and his character met his end in a car accident.
Shortly thereafter, Amos took on another defining role as the adult Kunta Kinte in the groundbreaking miniseries Roots, for which he received an Emmy nomination.
He is also known for his role as Admiral Percy Fitzwallace, Chairman of the Joint Chiefs of Staff, in the political drama The West Wing. Additionally, he had recurring roles in Two and a Half Men and The Ranch.
Among his notable film credits are Sweet Sweetback’s Baadasssss Song, Die Hard 2, Coming to America, and its sequel.
“He led a fulfilling life, and his legacy will endure through his remarkable contributions to television and film,” his son expressed in the statement. “My father cherished his work as an actor throughout his life.”
“He was my father, my closest friend, and my hero. I appreciate your prayers and support during this difficult time.”
Child star Mara Wilson, 37, left Hollywood after ‘Matilda’ as she was ‘not cute anymore’
The world first fell in love with the endearing Mara Wilson in the early 1990s. She was a child actor best remembered for her roles as the bright young girl in beloved family films like Miracle on 34th Street and Mrs. Doubtfire.
The rising actress, who turned 37 on July 24, looked like she was ready for big things, but as she got older, she lost her “cute” factor and vanished from the big screen.
She continues, “If you’re not cute anymore, if you’re not beautiful, then you are worthless. Hollywood was burned out on me.”
To find out what happened to Wilson, continue reading!
When five-year-old Mara Wilson played Robin Williams’ youngest kid in Mrs. Doubtfire in 1993, she won over millions of fans’ hearts.
When the California native was invited to feature in one of the highest-grossing comedies in Hollywood history, she had already made appearances in advertisements.
“My parents grounded me even though they were proud of me.” My mother would always tell me that I’m just an actor if I ever stated something like, “I’m the greatest!” Wilson, who is now 37, remarked, “You’re just a kid.”
Following her big screen premiere, she was cast in 1994’s Miracle on 34th Street as Susan Walker, the same character Natalie Wood had performed in 1947.
Wilson describes her audition as follows: “I read my lines for the production team and told them I didn’t believe in Santa Claus” in an essay for the Guardian. “But I did believe in the tooth fairy and had named mine after Sally Field,” she writes, referring to the Oscar-winning performer who portrayed her mother in Mrs. Doubtfire.
“Very unhappy”
Next, Wilson starred with Danny DeVito and his real-life wife Rhea Perlman in the 1996 film Matilda as the magical girl.
Additionally, Suzie, her mother, lost her fight against breast cancer in that same year.
“I wasn’t really sure of my identity.I was two different people before and after that. Regarding her profound grief following her mother’s passing, Wilson explains, “She was like this omnipresent thing in my life.””I found it kind of overwhelming,” she continues. I mostly just wanted to be a typical child, especially in the wake of my mother’s passing.
The young girl claims that she was “the most unhappy” and that she was fatigued when she became “very famous.”
She reluctantly took on her final significant role in the 2000 fantasy adventure movie Thomas and the Magic Railroad at the age of 11. “The characters had too little age. I reacted viscerally to [the] writing at 11 years old.I thought, ugh. I love it, she says to the Guardian.
“Destroyed”
Her decision to leave Hollywood wasn’t the only one, though.
Wilson was going through puberty and growing out of the “cute” position as a young teenager, so the roles weren’t coming in for him.
“Just another weird, nerdy, loud girl with bad hair and teeth, whose bra strap was always showing,” was how she was described.
“When I was thirteen, no one had complimented me on my appearance or called me cute—at least not in a flattering way.”
Wilson had to cope with the demands of celebrity and the difficulties of becoming an adult in the public glare. It had a great influence on her, her shifting image.
“I had this Hollywood notion that you are worthless if you are not attractive or cute anymore. Because I connected that directly to my career’s downfall. Rejection still hurts, even if I was kind of burned out on it and Hollywood was burned out on me.
Mara in the role of author
Wilson wrote her first book, “Where Am I Now?,” before becoming a writer. “Ancidental Fame and True Tales of Childhood,” published in 2016.
The book explores “her journey from accidental fame to relative (but happy) obscurity, covering everything from what she learned about sex on the set of Melrose Place, to discovering in adolescence that she was no longer ‘cute’ enough for Hollywood.”
In addition, she penned the memoir “Good Girls Don’t,” which explores her experiences living up to expectations as a young performer.
In her Guardian column, she states, “Being cute just made me miserable.” It was always my expectation that I would give up acting, not the other way around.
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