Julia Roberts is one of the rare celebrities who lives a relatively ordinary existence. She has been married to cinematographer Daniel Moder for 19 years, and the couple appears to be extremely happy.
he couple has three children: twins Phinnaeus and Hazel, both 16, and a son, Henry, 14.
Both Roberts and Moder try to keep their children out of the public eye, which is why we rarely see them attending public events or sharing images on social media.
However, we saw Hazel in the presence of her father at the Cannes Film Festival in France in July.
The two were there to promote the film Flag Day. Moder was the choreographer, and Sean Penn, was the director.
While Penn’s children played characters in the film, Hazel did not, but she attended the ceremony to support her father’s efforts.
Hazel’s amazing beauty drew everyone’s attention.
While some claim she inherited her mother’s nose, many believe she’s a striking likeness of her handsome father, so it’s no surprise she’s attractive herself. Hazel has blonde hair and blue eyes.
She was dressed in a soft yellow long lace gown and black Mary Jane heels. Her hair was pulled back into a ponytail and her make-up was modest. A true woman!
Moder was clearly proud of his girl and spent the entire evening by her side.
Whether Hazel or her siblings are interested in pursuing professions in the film industry is unknown because their parents rarely speak about their children and prefer to keep them out of the spotlight, which is understandable given Roberts’ grounded nature.
Despite her great income, which is reported to be approximately $250 million, she has never acted like a diva and has always maintained a humble demeanor.
In 2016, Hazel and her brothers played minor roles in Robert’s film Mother’s Day.
In 2018, Roberts told Harper’s Bazaar about her children:
“I don’t think they’ll ever understand (my fame). I think I told you once that when they started figuring it out, they were like, ‘You’re famous?’”
“And I said, ‘I think a lot of people might have seen the movie that I’m in or might know who I am.’”
She then discussed the issues that today’s youngsters experience, saying, “It’s different than when I might have said to my mom, ‘Mom, you don’t know what it’s like to be a teenager today,’ even though she probably did.”
Danny and I have no idea what it’s like to be an adolescent today. When my children ask me questions, I just tell them, ‘I’m going to say no and check into it because I have no idea what we’re talking about.’”
MY DAUGHTER TOLD ME I WAS TOO OLD AND PATHETIC WHEN I SHARED A PHOTO FROM MY FIRST DANCE CLASS.
The Dance of Dreams
At 70 years old, I decided to step into a dance studio, my heart fluttering with anticipation. The polished wooden floor seemed to beckon me, whispering promises of grace and rhythm. It was time to fulfill my lifelong dream—to dance.
My daughter, however, had a different perspective. When I shared a photo from my first dance class, she scoffed, “Mom, you look pathetic trying to dance at your age. Just give it up.”
Her words stung, like a sharp needle piercing my fragile bubble of enthusiasm. But I refused to let them deflate my spirit. I had spent decades nurturing her dreams, ensuring she never had to abandon them. Now, it was my turn.
I looked into her eyes, my voice steady, “Sweetheart, I’ve spent a lifetime supporting you. I’ve cheered you on during your piano recitals, soccer games, and college applications. I’ve been your rock, your unwavering cheerleader. But now, as I chase my own dream, you criticize me?”
She shifted uncomfortably, realizing the weight of her words. Perhaps she hadn’t considered the sacrifices I’d made—the dreams I’d tucked away while raising her. The music swirled around us, a gentle waltz, and I took her hand.
“Dancing isn’t just about moving your feet,” I said. “It’s about feeling alive, connecting with the rhythm of life. And age? Well, that’s just a number. My heart still beats to the same tempo as when I was twenty.”
We danced then, awkwardly at first, but with growing confidence. The mirror reflected two generations—one hesitant, the other determined. The studio walls absorbed our laughter, our missteps, and our shared joy.
As the weeks passed, my body ached, but my soul soared. I pirouetted through memories, twirling with the ghosts of forgotten dreams. The other dancers—mostly young and lithe—accepted me into their fold. They admired my tenacity, my refusal to be labeled “pathetic.”
One evening, after class, my daughter approached me. Her eyes were softer, her tone apologetic. “Mom, I’m sorry. I didn’t understand. You’re amazing out there.”
I hugged her tightly. “Thank you, sweetheart. But remember, dreams don’t have an expiration date. They’re like music—timeless, waiting for us to step onto the dance floor.”
And so, I continued my dance. The studio became my sanctuary, the music my lifeline. I swayed, leaped, and spun, defying the constraints of age. My daughter watched, sometimes joining me, her steps tentative but willing.
One day, she whispered, “Mom, I want to learn too. Teach me.”
And so, side by side, we waltzed through life—the old and the young, the dreamer and the believer. Our laughter echoed, filling the room, as we chased our dreams together.
In that dance studio, age dissolved, leaving only the rhythm of our hearts—a testament to the resilience of dreams, the power of determination, and the beauty of shared passion.
And as the music played, I realized: It was never too late to dance. 
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