Social media fans were recently drawn to Gwen Stefani’s ensemble from the song cover she shared with Blake Shelton. Many others posted their thoughts on social media.
Gwen Stefani and her husband Blake Shelton recently shared an Instagram photo that captured the attention of fans and social media users. Stefani posted a picture of herself on the couch wearing an easygoing yet stylish outfit.
The singer of “The Sweet Escape” accessorized with a bold necklace and brown platform sandals to go with her bikini top and denim jumpsuit. Shelton, meanwhile, casually posed while picking up a guitar.
Instagram users were divided by the group’s disagreement, which was evident in the comments area. “What is the purpose of her bra being visible? She is really cheesy! One user remarked, “If you want kids to look up to you, you need some class. Dress like an adult with children.”
You’re unable to perceive this for yourself because you’re so overwhelmed. Would you wear something similar? asked a second person. A separate Instagram user, meanwhile, had an own interpretation on Stefani’s costume. “This is a more subdued version of the brand she has used her entire career [sic].” She’s not suitable for everyone,” the observer said.
The cover art for their most recent song together, “Purple Irises,” which was published on February 9, 2024, was their shot together. The couple also released a behind-the-scenes video from their photo session, in which Sefani’s “cowgirl” outfit was observed by one viewer.
The popularity of the song Stefani recently shared on Instagram only serves to accentuate the beauty of her appearance. The couple’s collaboration, “Purple Irises,” has soared to the top of this week’s music rankings.
In a Billboard poll, fans overwhelmingly selected the couple’s duet above songs by well-known performers like Usher—who wowed during the 2024 Super Bowl halftime show—and country music phenomenon Kacey Musgraves.
The Super Bowl TikTok Tailgate featured a performance by Stefani and Shelton of “Purple Irises,” which thrilled fans immediately before the big game on Sunday, February 11. Other songs that Stefani and Shelton have worked on together include “Happy Anywhere” and “Nobody But You.”
The couple’s shared emotions and experiences are reflected in their love songs. In the past, Stefani wrote, “Never knew a love like this,” in the caption of a Polaroid picture she posted on Instagram with Shelton. She also mentioned Stefani’s beauty and her husband’s kind gesture of gifting her purple flowers.
It’s interesting to note that Blake Shelton and Gwen Stefani celebrated the New Year’s Eve apart, which worried some interested parties. But they were forced to do so because of their job responsibilities.
Golden Globes Gets Skewered As “New Low”
As Hollywood studios continue to see movie after movie fIop with audiences who want to be entertained by a compelling storyline rather than preached to by woke directors or shown CGI slop with no reaI plot, the Golden Globes this year were yet another humiliating disaster for the entertainment industry.
In fact, even sympathetic media outIets torched the Golden Globes, saying that they were mostly a disaster this year.
This year’s flop of a Golden Globes event was particularly bad for the industry given that, having been taken over from NBC by CBS, it was meant to be something of a reboot for the awards party and bring back a show generally known over the past few years for its declining ratings, if anything.
But rather than a revivaI, it was another flop for Hollywood, with even generally sympathetic media outlet Vanity Fair running a review of the event titled, The 2024 Golden Globes Were a Near-Total Disaster. Continuing, that review went on to describe host Jo Koy’s lengthy opening monologue as a horrid, sophomoric mishmash of lazy jokes” that didn’t elicit much laughter, a problem exacerbated by Koy being mostly unknown.
Similarly, the Iess sympathetic New York Post tore into the event as being a new low for an already troubled show, with a review article titled, Golden Globes 2024 were a new low for dying awards shows. Pulling no punches, the NYP article argued that it would have been better to cancel the event than run one so awful, saying:
Preparing for the 2024 Golden Globes, the awards show made a bunch of reforms to its ethically wobbIy voting body, got a new owner and moved to a different network. But none of those PR efforts matter much when the broadcast turns out as godawful as Sunday night’s did.
If only we’d 100% canceled the Globes when we had the chance.
Conservatives on X were simiIarly harsh. Washington Examiner personality Tim Young, for example, tore into the Golden Globes with a vengeance and said, “The Golden Globes had trash ratings… Perhaps people don’t want to tune in to woke, unfunny jokes about how white people are evil. Maybe their host should lecture at Harvard… I’m sure he’d be a hit there.”
Other posters noted that Jo Koy was a terrible host, saying things Iike “#GoldenGlobes Jo Koy is a terrible comedian, watching him tell jokes is so excruciating” and “i turned on the golden globes and had to turn it off bc the host is terrible.”
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