Marlo Thomas, who is 86 years old, has had a successful acting career spanning many years. Her performances in shows like “Ocean 8,” “The Real Blonde,” and “A Magical Christmas Village” have made her well-known. Even though she produced a large body of work, her natural beauty from her “That Girl” days is what many admirers remember her for. But over time, Thomas’s appearance has changed dramatically, leading many to surmise that plastic surgery was a major factor.
Conjectures and AI-Created Pictures
Artificial intelligence-generated images indicate that, had Thomas not undergone plastic surgery, she may have aged normally with little wrinkles, a well-defined nose, and a charming grin on her elevated cheeks. The discussion on how plastic surgery has changed her appearance and whether these modifications are good or bad is fueled by these photos.
Public Responses to Her Changes
Fans weren’t slow to react when photos of Marlo Thomas’s altered face from 1968 to 2024 appeared online. “She was much prettier when she was on ‘That Girl’ before all the surgeries,” a user said. Her nose is awful right now. “She was so pretty, too bad she destroyed it with surgery,” said a dejected person. Others who believe she has overindulged in cosmetic surgeries echo these complaints.
Fans’ worries and complaints
A lot of admirers think Thomas was more attractive before having plastic surgery. There’s way too much work done, a user said. Before she struck the knife, she was stunning. Oh no. Commenters who expressed agreement included “I agree” and “So true.”A few admirers wished she had approached cosmetic treatments with more caution. Some nevertheless acknowledge her efforts in spite of these criticisms; one individual said, “Too many surgeries.” She is a remarkable woman, though.
Thomas’s Reaction to What People Think
Even with the criticism, Marlo Thomas is unmoved. She related a story about how she uploaded a photo of her husband Phil Donahue with their granddaughter and got comments implying that he had plastic surgery, even though he hasn’t. Thomas brushed these remarks aside, claiming that being well-groomed does not always imply having had surgery. She says, “But even if you did want to—go ahead!” in support of the notion that people should feel free to undergo plastic surgery if they so want.
Cher’s Impact and Personal Independence
Marlo Thomas like the way singer Cher responds to criticism over her own cosmetic procedures. Cher reportedly asserted that she could place her nose on her butt if she so desired, emphasizing the value of having personal control over one’s physical appearance. Thomas agrees, stating that she is unconcerned with the decisions that other people make about their bodies.
Individual Choices and Family Impact
It has been stated that Thomas, who has been outspoken about her body image, had plastic surgery to alter the curve of her nose. Her father Danny Thomas, who also underwent nose surgery, reportedly told her that if she inherited his nose, she should get into comedy. Though he encouraged her to accept her natural look, Thomas decided to have cosmetic surgery.
Influence on Popular Culture
Marlo Thomas’s plastic surgery has had an impact that goes beyond her individual encounters. The television writer Mindy Schneider disclosed in her autobiography, “Not a Happy Camper,” that her mother desired for her to undergo a nose job performed by the same physician who treated Thomas. This illustrates the demands of cosmetic surgery in the entertainment business as well as its wider cultural impact.
Accepting Personal Decisions
Marlo Thomas ultimately argues that individuals need to be free to make decisions regarding their bodies without fear of condemnation or censure. Her position emphasizes how important it is to accept people’s choices, regardless of whether they include cosmetic surgery or other personal choices.
In conclusion, Marlo Thomas’s change through plastic surgery has generated a great deal of public discussion, yet her dedication to individual freedom and body positivity is still evident. Her path, whether praised or criticized, sheds insight on the nuanced relationship between individual choice, beauty standards, and notoriety.
See 1970s icon Faye Dunaway now at 83
Among the few living real legends is Faye Dunaway.
The legendary actress, well-known for portraying strong, resentful, and challenging women, is among the best in movie history.
And the eighty-three-year-old continues on…
Dunaway is best known for her twisted cry in the campy cult film Mommie Dearest, “No more wire hangers!” She also starred in Hurry Sundown with Michael Caine and Bonnie & Clyde, winning the main part over Jane Fonda and Natalie Wood.
The Florida native actress, who was also awarded three Golden Globes and an Emmy, was born in Bascom.
It’s difficult to discuss Faye Dunaway’s career without bringing up the film Mommies Dearest. Channeling Joan Crawford’s energy, Faye Dunaway shocked the Mommie Dearest crew when she initially appeared from the dressing room in the legendary role of the four-year-old actress.
The sensationalized movie Mommie Dearest (1981) is based on Christina Crawford’s memoir of the same name, which describes her troubled connection with the late actress Joan Crawford, who was her adopted mother.
Dunaway managed to create a combination of charm and terror.
In her unsettling portrayal of Crawford, Dunaway blurred the boundaries between reality and resurrecting Joan, both on and off the set. She was so desperate that she declared, “I want to climb inside her skin,” to a Hollywood biographer.
Dunaway either developed her method acting skills to a high degree or her spirit took over. In her memoir, Looking for Gatsby, she writes. “I was told by one that it felt like Joan herself had risen from the dead.”
In reality, the media began to believe that Crawford was haunting Dunaway.”(Dunaway) appears to have borrowed it for 12 weeks from the ghost of Joan Crawford,” the Los Angeles Times remarked about her voice.
In a part that will live in legend, Dunaway expresses remorse. She told Entertainment Tonight, “I think it turned my career in a direction where people would irretrievably have the wrong impression of me—and that’s an awful hard thing to beat.” “I should have known better, but sometimes you don’t know what you’re getting into and you’re vulnerable.”
Working with some of the sexiest men in Hollywood, like Paul Newman, Robert Redford, Kirk Douglas, and Johnny Depp, Dunaway showed extreme self-control and maintained a platonic connection with her co-stars.
A few individuals were drawn to particular things; perhaps Jack (Nicholson) and Warren (Beatty), but not many. Though Steve McQueen was contentedly devoted to someone at the time, Warren was at that point in his bachelorhood. “I wouldn’t mess around with something like that even if it were offered, but it wasn’t,” Warren said.
“You simply don’t,” she remarked in a Harper’s Bazaar interview. “You don’t do that because you know it will ruin the performance and the movie. That’s my rule.”
The dapper, Italian award-winning actor Marcello Mastroianni, broke the rules for the timeless beauty with her delicate high cheekbones because he was too much of a temptation.
Life imitates art in her connection with the Italian celebrity. starring in the 1968 film A Place for Lovers, which Roger Ebert of the Chicago Sun-Times referred to as the “most godawful piece of pseudo-romantic slop I’ve ever seen!”-Dunaway portrays a fashion designer who is having an extramarital romance with Mastroianni, a race car driver. She had a brief but intense three-year romance with the actor in real life, which she ended when he refused to leave his wife.
Dunaway stated, “I was deeply in love with him,” in a People interview. I had never encountered a man like him before, and I felt incredibly safe with him.
She wed musician Peter Wolf, the lead vocalist of The J. Geils Band, in 1974; they separated after five years.
According to a Marie Claire article from 2017, Dunaway began an affair with renowned British photographer Terry O’Neill because she was dissatisfied in her marriage to Wolf. With her Oscar from the movie The Network on the table next to her, O’Neill captured a picture of her lounging by the pool at The Beverly Hills Hotel.
After being married in 1983, Dunaway misled the public for many years, claiming that her son Liam, who was born in 1980, was actually her biological child. In 1987, Dunaway and O’Neill were divorced.
Dunaway is alleged to be a manipulative diva who is very difficult and unpredictable for co-stars, production personnel, and even hotel employees.
She was fired from her role as Audrey Hepburn in the off-Broadway production of Tea at Five in 2019 for creating a “dangerous” and “hostile” environment, and she was fired by Andrew Lloyd Weber from his Sunset Boulevard production in Los Angeles, California, in 1994.
She was dubbed the “gossamer grenade” by one of her leading men, Jack Nicholson, and when Johnny Carson questioned her in 1988, “Who’s one of the worst people you know in Hollywood?” “Faye Dunaway and everybody you can put in this chair would tell you exactly the same thing,” was the swift response from the feisty and unrepentant Bette Davis. “I don’t think we have the time to go into all the reasons—she’s just uncooperative,” the woman said. For Miss Dunaway, Miss Dunaway is Miss.
Dunaway is still a very talented performer despite her challenging, frequently harsh, and nasty demeanor.
She was awarded a star on the Hollywood Walk of Fame in 1996, and in 1997, People magazine listed her as one of the 50 Most Beautiful People.
Regarding her romantic status, she is now single.
She stated in a 2016 People interview that she was still open to dating. She says, “I’m very much a loner.” “I always think that if I could find the right person, I would like to have a partner in life, and I would.”
Her most recent credit dates back to 2022, when she costarred in the Italian film L’uomo che disegnò Dio with Kevin Spacey.
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