A pregnant mother of three needs to sell her stroller to feed her three children after she was abandoned by her husband.
Anne Sargent sat on her kitchen floor and cried. It was past midnight, and it was the only time she could allow herself to show her pain — when her three children were asleep upstairs.
Anne felt the baby move and placed a tender hand on her belly. “I’m sorry,” she whispered to her unborn child. “I’m doing my best, but it’s just not good enough…”
Just two months ago, Anne had been a radially happy wife and mother, confidently expecting the birth of her fourth child, and confident in her place in the world and her husband’s love. That woman was gone.
Derek had come home one night and told her he was leaving, just like that. “But why?” asked Anne. “I don’t understand, I thought we were happy!”
“YOU were happy!” Derek cried. “YOU, not me! All you did was have babies and fuss over them, now there’s one more on the way!”
“But you WANTED children!” Anne protested. “You were happy every time I was pregnant…”
A family is built on understanding and mutual respect.
“Happy?” screamed Derek. “Happy that you gave all your love and attention to the kids? All I was to you was a paycheck! Well, that’s OVER!”
So three months after Anne announced her fourth pregnancy, Derek was gone. Anne immediately went out and found herself a part-time job at a local grocery store.
The owner would have been willing to give her a full-time job, but for that, Anne would have needed to pay a sitter for her three boys and that would have consumed most of her salary, so she carefully stretched her salary. But even with the child support check Derek sent, it just wasn’t enough.
Anne started selling some antique china she’d inherited from her grandmother and that paid for the utilities for a few months. Then she sold a silver brush-and-mirror set she’d had since she was a little girl, and that paid for groceries. Little by little, as her belly grew, Anne sold her treasures to keep her family safe and fed.
Then one day, there was nothing left to sell except bric-a-brac. Anything of greater value was gone. Anne looked at the old stroller she’d brought up from the cellar.
It had been hers when she was a baby and had been used by each of her children in turn. It was very old, probably from the sixties, but it was in mint condition.
She ran her hand over the roses painted on the side and bit back her tears. She needed it for the new baby, but she needed the money even more.
She thought about getting a good price for it down at the flea market. Vintage items were always popular… And so she took the stroller to the flea market, and one of the dealers gave her $50 for it. Not much at all, but every cent helped.
Anne walked away, sure she’d never see the stroller again, but she was wrong. Two days later, she opened the front door and saw the stroller on the porch!
There was an envelope inside and Anne opened it and read: “Please call me.” The message was followed by a phone number. Anne called the number ad a woman answered her.
“Hello?” Anne said. “Are you the person who left the stroller? How did you know who it belonged to and where I live?”
“Derek told me,” the woman on the other side said. “I’m Grace Robbs. I think we should meet.”
An hour later, Grace was sitting on Anne’s sofa sipping tea. She was a pretty woman, six or seven years younger than Anne, and she looked very unhappy. Her pale skin was blotched and her eyes were swollen as if she’d been crying.
“How do you know Derek,” Anne asked, even though in her heart she already knew the answer.
“I was his girlfriend,” Grace said.
“Was?” asked Anne. “You broke up?”
“Today, as a matter of fact,” Grace said and started crying. “I didn’t know…I didn’t know about you or the children, or the baby… I found out I was pregnant, and I didn’t know how to tell him…”
“So I went to the flea market with a friend and saw this darling stroller and I bought it. I put it in the middle of the lounge and tied balloons to it with a message: ‘Hello Dad!’”
“But he wasn’t happy like I thought he’d be. He started screaming and asking where II got the stroller and if his stupid wife had given it to me. He asked if it was a joke.”
“He told me to take it right back, that he didn’t want to know about your baby. So I told him: ‘It’s for OUR baby.’ and that’s when he went crazy.”
“He accused me of wanting to trap him and said he already had three brats with you and one more on the way, and he didn’t want my baby. He told me to get out and come to you.”
“He said: ‘Might as well have all the breeding cows under the same roof.’ I’m so sorry, I didn’t know about you, I guess I didn’t know him at all!”
Anne got up and put her arm around the crying girl. “It’s okay. It’s going to be okay, you’ll see.”
“He’s kicked me out,” Grace said quietly. “I have no family here and nowhere to go. I have a job, but with the rents in this city, I can’t afford to live alone, and who is going to want a pregnant roommate?”
“I will!” Anne said firmly. “I need a tenant because what I earn isn’t enough, and I can’t work full-time because I can’t afford a babysitter for after school.”
“But…” Grace’s face lit up. “I work online! I can take care of the kids after school. I love kids!”
“So I can take a full-time job?” asked Anne, delighted. “The owner of the grocery store wants me to manage it for him. With your help, I can! And you don’t have to worry about stuff for the baby. After three kids I have enough for an army.”
Grace smiled through her tears. “And we have the stroller too…” she pointed out. “Are you sure? It’s Derek’s baby…”
“No,” Anne shook her head. “It’s YOUR baby, and my children’s sibling, that is all that matters.”
The two women settled into a new life together, and when Anne’s baby was born, Grace was there. When it was Grace’s turn four months later, Anne held her hand. They became a real family and raised their five children together.
As for Derek, he had several failed relationships and eventually came knocking on Anne’s door. He was shocked when he saw Grace there and asked to speak to Anne. “What do you want, Derek?” Anne asked.
“I miss you, babe…” Derek said.
Anne stared at him for a long moment then said, “Sorry, so not interested!” And she closed the door in his face.
What can we learn from this story?
If we work together, we can overcome any problem. Anne and Grace couldn’t survive alone, but together they were an unbeatable team.
A family is built on understanding and mutual respect. Anne and Grace forged a family out of their friendship and mutual support.
Share this story with your friends. It might brighten their day and inspire them.
Vertigo Star Kim Novak Is Spending Her 91st Birthday with ‘Friends and Lots of Fudge’ (Exclusive)
Tuesday marks the 91st birthday for Kim Novak, the star of Alfred Hitchcock’s 1958 film Vertigo, who walked away from Hollywood over five decades ago.
“She’s spending her birthday having a picnic on her property with friends and lots of fudge,” says her longtime manager and close friend Sue Cameron.
Life is sweet these days for Novak, who lives quietly on the Oregon coast, surrounded by her beloved horses.
In honor of her 91st birthday, read on for an interview from 2021 in which Novak shared why she left Hollywood and found her true self.
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Over 50 years ago, Kim Novak, the enigmatic star of Alfred Hitchcock’s Vertigo, walked away from Hollywood. The woman who had once been the No. 1 box office draw in the world put her belongings in a van and drove north, first to Carmel, California and then two decades later to Oregon, to live her life as an artist.
“I had to leave to survive,” she tells PEOPLE. “It was a survival issue.”
“I lost a sense of who I truly was and what I stood for,” says Novak in a rare interview to talk about her new book, Kim Novak : Her Art and Life. published by the Butler Museum of American Art.
“I fought all the time back in Hollywood to keep my identity so you do whatever you have to do to hold on to who you are and what you stand for,” she explains.
“I’ve never done one of those tell-all books that they wanted me to do for so long, and I thought this is the kind of book I’d like to do,” she says of her art book. “Actually, I had written my autobiography and it was almost complete but I had a house fire and the house burned down and I made no copies. I just couldn’t go through it again because I had spent so much time. But it was okay because it was a catharsis just to do it.”
After starring in Picnic (1955) with William Holden, The Man With the Golden Arm (1955) and Pal Joey (1957), opposite Frank Sinatra, and Vertigo, with Jimmy Stewart, Novak was at the height of her career but still under the control of the studio.
As she writes in her book’s introduction, “I was both dazzled and disturbed to see me being packaged as a Hollywood sex symbol. However, I did win my fight over identity. I wouldn’t allow [Columbia Pictures chief] Harry Cohn to take my bohemian roots away by denying me my family name. Novak. I stood my ground and won my first major battle.”
Cohn wanted her to change her name to Kit Marlowe, telling her that audiences would be turned off by her Eastern European roots. She refused. In the late ’50s, she defied him again when she began dating singer Sammy Davis Jr. against his wishes and she fought to live her life as an independent woman.
“There was constant pressure to be seen and not heard,” writes Novak, “especially if you had a pretty face.”
“In Hollywood a lot of people assume who you are, because of the character you play, but also just because of who they expect you to be, how they expect you to dress,” she says. “It influences you because if you’re in some gorgeous sequined gown, you can’t run along the ocean and run on the beaches.”
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“I kept feeling like I was going deeper and deeper, lost in almost like a quicksand, where it’s swallowing you up, your own personality, and I’d started to wonder who I am,” she explains. “I realized needed to save myself.”
She found peace living and painting in the Rogue River Valley of Oregon and notes, “I needed the Pacific Ocean to inspire me, the animals, the beauty.”
“I wanted to live a normal life and a life with animals,” says the actress, who had always loved drawing and painting as a young girl growing up in Chicago. She was awarded two scholarships to the Chicago Art Institute before she was spotted by a talent scout on a trip to L.A. and her life changed course.
Once she left Hollywood, Novak returned to her twin passions: art and animals. “My teachers were the animals, not just dogs and cats, but other animals, horses and llamas, whom you have to meet half way, because they’re not ready to accept humans. I had to learn to win them over,” she says. “They understand a person who’s genuine so I had to become more real and that made me rely on my inner self — and that also encouraged me to paint. Everything seemed to flow from that.”
“You learn how to count on, not how you look, which is a big thing as a movie star, especially if you were recognized because of how you look,” she adds. “That can be a difficult thing when you change — but looks had nothing to do with it.”
She met second husband, Robert Malloy, an equine veterinarian, in the late ’70s, when he paid her a house call to treat one of her Arabian horses. She called him her “soul mate.” He died last December.
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“I don’t feel 87,” says Novak. “I don’t keep tract of the time. If I did, I’d be an old lady and I’m not an old lady. I’m still riding my horse. I stay as healthy as I can.”
In 2012, Novak revealed she’d been living with bipolar disorder. “I don’t mind being open about who I am because these are all characteristics which make you who you are, especially as an artist,” she says. “Now, of course, I have medication for it but the best medicine of all is art.”
She’s proud of her favorite films, including Vertigo and Bell, Book and Candle (1958), and has fond memories, especially of her friend and costar Jimmy Stewart. Says Novak: “He didn’t let Hollywood change who he was.”
“People can remember me in movies but I want them to see me as an artist,” says Novak, whose paintings were exhibited at a 2019 retrospective at the Butler Museum in Youngstown, Ohio. “What’s great about painting is, you become the director too. No one’s telling you how to do it. You get to direct the whole thing.”
“I’ve been influenced a lot by Hitchcock in my work because he did mysteries and at first glance, I want my painting to be a mystery,” she says. “I love being the director, the producer, the actor in my paintings.”
“This is who I am. I want people to see I was not just a movie star.”
Looking back, Novak says, “I’m so glad I didn’t do the tell-all book, where you write all about your love life. That wasn’t who I was. This book tells who I am. I just needed to be free.”
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