The grandchildren adore frolicking in it, and sometimes I jest they might favor the pond over me!
All was serene until Brian became my neighbor five years ago. Right from the start, he was troubled by my pond.
“Margaret!” he’d shout from beyond the fence. “Those frogs disrupt my sleep! Can’t you quiet them down?”
With a grin, I’d respond, “Oh, Brian, they’re merely serenading you. No charge at all!”
He continued to grumble. “What about the mosquitoes? Your pond is a breeding ground!”
“Now, Brian,” I’d retort, “my pond is spotless. Perhaps those mosquitoes are from the clutter in your own yard.”
He’d storm off, and I assumed he’d adjust over time. However, I misjudged.
One day, I took a short trip to visit my sister, expecting nothing more than leisurely chats and card games. I returned to a shocking sight that chilled me to the core.
Arriving home, the familiar glint of water was missing, replaced by soil. Heart plummeting, I rushed from my car.
My neighbor, kindly Mrs. Johnson, approached hastily. “Margaret! Thank goodness you’re here. I tried to halt them, but they claimed to have authorization!”
“Stop whom? What authorization?” I stammered, fixated on the muddy remnant of my once-beloved pond.
“A team arrived yesterday, tasked by a company to drain and fill your pond,” Mrs. Johnson explained. “I protested that you were away, yet they presented official documents!”
Feeling betrayed, I realized twenty years of cherished memories had vanished overnight. I knew who was responsible.
“Brian,” I clenched my fists, seething.
“What will you do?” Mrs. Johnson inquired, her expression laden with concern.
I straightened up. “Well, I’ll show him why you shouldn’t trifle with a woman like Margaret!”
Firstly, I contacted my family. My daughter Lisa was incensed. “Mom, this is unlawful! We should inform the authorities!”
“Just wait, dear,” I counseled.
“Let’s gather evidence first.”
Then, my perceptive granddaughter Jessie reminded, “Grandma! What about the wildlife camera in the oak tree? It might have recorded something!”
Indeed, that camera captured our ace in the hole.
The footage unmistakably showed Brian, directing the team to destroy my pond. He seemed pleased with his stealthy mischief.
“Caught you,” I smirked.
Brian presumed I would overlook his actions due to my age and solitude. He underestimated my resourcefulness.
I immediately phoned the local wildlife conservation office.
“Good day,” I began politely. “I need to report the ruin of a protected natural area.”
The agent sounded puzzled. “Protected area, ma’am?”
“Absolutely,” I continued. “My pond hosted an endangered fish species, registered with your office years ago. And it’s been filled in without any lawful clearance.”
The conservation office doesn’t take such matters lightly.
Shortly, they were at Brian’s doorstep, imposing a hefty fine that surely made him wince.
“Gentlemen, we’re here concerning the illegal obliteration of a protected site on your neighbor’s land,” they informed Brian.
Brian blanched. “What? Protected site? It was merely a pond!”
“A pond that housed a recognized endangered fish species, Mr. Thompson. You authorized its destruction without proper consent.”
“This is absurd!” Brian protested. “That old pond was an eyesore! I was cleaning up the neighborhood!”
“Unfortunately, that ‘cleanup’ has resulted in a $50,000 penalty for breaching environmental laws,” they countered.
Brian was aghast. “$50,000? You must be joking! That pond was—”
I savored his dismay from afar, but my plans were not yet complete.
I called my grandson Ethan, a sharp attorney in the city.
“Ethan, dear,” I said. “How about assisting your grandmother in dealing with a neighborhood tyrant?”
Eager to aid, Ethan swiftly served Brian with legal papers for property damage and emotional harm.
While I could have stopped there, one more move remained.
Brian’s wife Karen, who always seemed reasonable, returned from work one evening, and I seized the opportunity for a candid talk.
“Evening, Karen,” I greeted her. “Can we chat for a moment?”
She nodded, weary yet accommodating. “Of course, Margaret. What’s troubling you?”
Over tea, I unveiled the entire saga about the pond – its origins, the joyful memories, and the wildlife it supported.
Karen’s expression shifted from bewilderment to shock. “Margaret, I was unaware,” she exclaimed. “Brian claimed the city mandated the pond’s closure for safety!”
“Well,” I reassured her, patting her hand. “Now you understand the full story.”
Subsequently, the neighborhood was abuzz, and Brian vanished for a while after Karen confronted him about his deceit.
One morning, the buzz of machinery woke me. Peering outside, I was astonished to see a team working in my yard under Karen’s supervision.
“Morning, Margaret. I hope you don’t mind, but I thought it was time to rectify things,” Karen greeted me as the crew worked to restore my pond.
Karen confided about Brian’s other questionable dealings. “This was just him venting his frustrations,” she shared softly.
With the pond reinstated, the environmental charges were withdrawn. Ethan persuaded me to drop the lawsuit as well, always the diplomat.
As for Brian, he disappeared out of state, humbled and defeated. Karen, now a frequent visitor, helped me care for the revived pond, grateful for the chance to make amends.
One serene evening by the restored waters, Karen mused, “Margaret, I never imagined I’d appreciate Brian’s mistake.”
Curious, I asked, “Why is that?”
She grinned, clinking our iced tea glasses. “If he hadn’t interfered, I might never have discovered such an incredible neighbor.”
Here I am, 74 and invigorated, with a rejuvenated pond, a new ally, and a tale for future family gatherings. Life always surprises, doesn’t it?
And if there’s a moral here, it’s never to underestimate a grandmother with a resolve and a competent attorney!
Vertigo Star Kim Novak Is Spending Her 91st Birthday with ‘Friends and Lots of Fudge’ (Exclusive)
Tuesday marks the 91st birthday for Kim Novak, the star of Alfred Hitchcock’s 1958 film Vertigo, who walked away from Hollywood over five decades ago.
“She’s spending her birthday having a picnic on her property with friends and lots of fudge,” says her longtime manager and close friend Sue Cameron.
Life is sweet these days for Novak, who lives quietly on the Oregon coast, surrounded by her beloved horses.
In honor of her 91st birthday, read on for an interview from 2021 in which Novak shared why she left Hollywood and found her true self.
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Over 50 years ago, Kim Novak, the enigmatic star of Alfred Hitchcock’s Vertigo, walked away from Hollywood. The woman who had once been the No. 1 box office draw in the world put her belongings in a van and drove north, first to Carmel, California and then two decades later to Oregon, to live her life as an artist.
“I had to leave to survive,” she tells PEOPLE. “It was a survival issue.”
“I lost a sense of who I truly was and what I stood for,” says Novak in a rare interview to talk about her new book, Kim Novak : Her Art and Life. published by the Butler Museum of American Art.
“I fought all the time back in Hollywood to keep my identity so you do whatever you have to do to hold on to who you are and what you stand for,” she explains.
“I’ve never done one of those tell-all books that they wanted me to do for so long, and I thought this is the kind of book I’d like to do,” she says of her art book. “Actually, I had written my autobiography and it was almost complete but I had a house fire and the house burned down and I made no copies. I just couldn’t go through it again because I had spent so much time. But it was okay because it was a catharsis just to do it.”
After starring in Picnic (1955) with William Holden, The Man With the Golden Arm (1955) and Pal Joey (1957), opposite Frank Sinatra, and Vertigo, with Jimmy Stewart, Novak was at the height of her career but still under the control of the studio.
As she writes in her book’s introduction, “I was both dazzled and disturbed to see me being packaged as a Hollywood sex symbol. However, I did win my fight over identity. I wouldn’t allow [Columbia Pictures chief] Harry Cohn to take my bohemian roots away by denying me my family name. Novak. I stood my ground and won my first major battle.”
Cohn wanted her to change her name to Kit Marlowe, telling her that audiences would be turned off by her Eastern European roots. She refused. In the late ’50s, she defied him again when she began dating singer Sammy Davis Jr. against his wishes and she fought to live her life as an independent woman.
“There was constant pressure to be seen and not heard,” writes Novak, “especially if you had a pretty face.”
“In Hollywood a lot of people assume who you are, because of the character you play, but also just because of who they expect you to be, how they expect you to dress,” she says. “It influences you because if you’re in some gorgeous sequined gown, you can’t run along the ocean and run on the beaches.”
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“I kept feeling like I was going deeper and deeper, lost in almost like a quicksand, where it’s swallowing you up, your own personality, and I’d started to wonder who I am,” she explains. “I realized needed to save myself.”
She found peace living and painting in the Rogue River Valley of Oregon and notes, “I needed the Pacific Ocean to inspire me, the animals, the beauty.”
“I wanted to live a normal life and a life with animals,” says the actress, who had always loved drawing and painting as a young girl growing up in Chicago. She was awarded two scholarships to the Chicago Art Institute before she was spotted by a talent scout on a trip to L.A. and her life changed course.
Once she left Hollywood, Novak returned to her twin passions: art and animals. “My teachers were the animals, not just dogs and cats, but other animals, horses and llamas, whom you have to meet half way, because they’re not ready to accept humans. I had to learn to win them over,” she says. “They understand a person who’s genuine so I had to become more real and that made me rely on my inner self — and that also encouraged me to paint. Everything seemed to flow from that.”
“You learn how to count on, not how you look, which is a big thing as a movie star, especially if you were recognized because of how you look,” she adds. “That can be a difficult thing when you change — but looks had nothing to do with it.”
She met second husband, Robert Malloy, an equine veterinarian, in the late ’70s, when he paid her a house call to treat one of her Arabian horses. She called him her “soul mate.” He died last December.
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“I don’t feel 87,” says Novak. “I don’t keep tract of the time. If I did, I’d be an old lady and I’m not an old lady. I’m still riding my horse. I stay as healthy as I can.”
In 2012, Novak revealed she’d been living with bipolar disorder. “I don’t mind being open about who I am because these are all characteristics which make you who you are, especially as an artist,” she says. “Now, of course, I have medication for it but the best medicine of all is art.”
She’s proud of her favorite films, including Vertigo and Bell, Book and Candle (1958), and has fond memories, especially of her friend and costar Jimmy Stewart. Says Novak: “He didn’t let Hollywood change who he was.”
“People can remember me in movies but I want them to see me as an artist,” says Novak, whose paintings were exhibited at a 2019 retrospective at the Butler Museum in Youngstown, Ohio. “What’s great about painting is, you become the director too. No one’s telling you how to do it. You get to direct the whole thing.”
“I’ve been influenced a lot by Hitchcock in my work because he did mysteries and at first glance, I want my painting to be a mystery,” she says. “I love being the director, the producer, the actor in my paintings.”
“This is who I am. I want people to see I was not just a movie star.”
Looking back, Novak says, “I’m so glad I didn’t do the tell-all book, where you write all about your love life. That wasn’t who I was. This book tells who I am. I just needed to be free.”
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