Rhonda’s life took an unexpected turn when she discovered she was pregnant. Her father, David Harris, was outraged upon learning the news. Coming from a wealthy family, Rhonda had been provided with everything by her father, who owned a large textile company. However, he was a controlling man who couldn’t accept the idea of his daughter raising a child with Peter, her boyfriend, who came from a lower-class background.Despite her father’s orders to terminate the pregnancy, 16-year-old Rhonda refused. Faced with her father’s ultimatum to either abort the baby or leave the house, Rhonda chose to leave. She packed her belongings and sought refuge with Peter, only to face another crushing blow—
Peter refused to take responsibility for the child and ended their relationship. Devastated and homeless, Rhonda wandered the streets, her life in shambles. As fate would have it, Rhonda went into labor on the streets, and a kind woman named Angela Bamford came to her aid, rushing her to the hospital. Rhonda gave birth to a baby boy, but her situation remained dire. Angela, who had lost her own daughter under similar circumstances, sympathized with Rhonda and offered to help her. Angela booked Rhonda a business class ticket to New York, hoping she could start anew there. During the flight, Rhonda was consumed by doubts and fears about her ability to care for her newborn. Overwhelmed by anxiety, she made the heartbreaking decision to leave her baby on the plane, hoping that someone would find him and give him a better life. She left a note with the baby, naming him Matthew Harris, and walked away, leaving her child behind.Years passed, and Rhonda struggled to rebuild her life. After nearly a decade of hardship, she finally secured a stable job and a place to live. However, the guilt of abandoning her son haunted her daily. Determined to find Matthew and make amends, Rhonda sought help from the police. To her relief, she discovered that her son had been adopted by Lincy, the flight attendant who had found him, and her husband. Rhonda reached out to Matthew’s adoptive mother and shared her story, hoping for a chance to meet her son. When Rhonda finally met Matthew, now 13 years old, he was furious and rejected her. He couldn’t understand how his biological mother could have abandoned him. Despite Rhonda’s attempts to explain, Matthew couldn’t bring himself to accept her as his mother. With time, however, Matthew softened. Though he initially refused to call Rhonda “mom,” he agreed to let her visit him on weekends. Over the next ten years, their relationship gradually improved. Matthew, now 23 and working as a data scientist in New York, forgave Rhonda and accepted her as his mother, understanding that her actions were driven by desperation.Rhonda’s life has continued to change. She recently started dating a man named Andrew and is considering marriage, but she wants to discuss it with Matthew first. She also reconnected with Angela Bamford, who was pleased to see that Rhonda’s life had finally come together. Through perseverance and the support of those around her, Rhonda was able to rebuild her life and mend her relationship with the son she had once thought she’d lost forever.
Gary Burghoff AKA Radar from ‘M*A*S*H’ Always Kept His Left Hand Out of View – Five Times We Could See It
The hit 1972 sitcom “M*A*S*H” introduced the world to a number of memorable and beloved characters, from the smart-mouthed yet compassionate Captain Benjamin Franklin “Hawkeye” Pierce to his endearing friend, Captain B.J. Hunnicutt. Almost every character had stuck in the minds of the fans.
One of the characters that often featured but was easily overlooked by his military counterparts due to his nervous nature was the 4077 MASH unit’s company clerk, Corporal Walter Eugene “Radar” O’Reilly. Although many of the staff on the base tended to take Radar’s effort for granted, the fans sure noticed him.
Radar was portrayed by the acclaimed actor Gary Burghoff from the start of the TV show in 1972 until the seventh season, which aired in 1979. Although fans clamored for more of the unassuming clerk, Burghoff revealed that he needed to step away from the show to rekindle his personal relationships and fight burnout.
“M*A*S*H’s” Influence and Burghoff’s Personal Identity
Although Burghoff enjoyed playing Radar, the role became increasingly demanding. The actor commented that it became difficult to separate himself from his character in the eyes of the public, which soon became tedious. He also noted that he despised being fawned over by the crowds:
“Aw, I know I’m cute. Cute, cute, CUTE! I was always cute because I was always the smallest kid on the block. I hate cute.”
Everyone saw Burghoff as an adorable, short, timid character as they’d known him on-screen and on the stage for many years. However, after years of being looked down upon, both metaphorically and physically speaking, Burghoff grew tired of the persona so easily attributed to him by scores of people he had never even met.
The actor lashed out against this view of him as a cute little fellow by defending his height. As he so rightly pointed out, 5 feet 6 inches isn’t irregularly short, and he would have seen the tops of Arte Johnson or Mickey Rooney’s heads had they ever met. Nonetheless, the persona stuck.
Luckily for all his fans, Burghoff didn’t let his disability stand in his way, and he pursued his dream of becoming an actor.
Despite his misgivings about how others perceived him, Burghoff’s fellow cast members adored him. The director Charles Dubin recalled working with Burghoff before he left “M*A*S*H,” noting how caring and pleasant Burghoff was to everyone on set. However, Burghoff had another aspect of himself that drove down his self-esteem.
Burghoff had been born with a congenital disability called Brachydactyly, a form of Poland Syndrome. The condition left the actor with three fingers on his left hand that were noticeably smaller than the rest of his digits, and the abnormality had plagued him since he was a small child. The actor commented:
“Of course, this defect affected me while I was growing up. I suppose when I was very young, I knew my disability would set me apart and make me special.”
Luckily for all his fans, Burghoff didn’t let his disability stand in his way, and he pursued his dream of becoming an actor. Yet, becoming a fan-favorite on one of the most iconic TV shows America had ever produced never managed to quell his insecurities about his stout fingers and stocky frame.
Throughout his run on “M*A*S*H,” Burghoff tried to hide his left hand from the camera. He would often position himself so that the camera could only see one side of his body and usually gestured with his right if the scene required it, although the actor would be obligated to use both hands now and again.
In one of the earliest episodes, viewers were introduced to Radar as he stood in an open area, wearing a greyish shirt and his trademark cap. As the actor turned around and looked at the sky — once again hearing approaching helicopters before everyone else — the camera briefly panned over both his hands holding a football.
When Colonel Sherman T. Potter first made his appearance on the show, taking over from the beloved Lieutenant Colonel Henry Blake, Radar and the new commander shared a scene where they first met. As Colonel Potter exited the room to find the latrines, the camera centered on Burghoff’s upper body as he opened a box with both hands.
Another infamous scene caught Burghoff with both hands on camera. During a regular morning salute, with the loathsome Major Frank Burns leading the ceremony, Radar does his usual morning salute with a bugle. In a hilarious twist, one of the men fires off the ceremonial canon at Burns’s behest.
Naturally, Radar gets the short end of the stick as the cannonball flies directly at him, knocking his instrument clean out of his hands. In the next few seconds, Burghoff turns toward the camera in a pantomime of rage, balling his fists and stomping in outrage. Here, both his hands can be seen for a brief second.
In one of the later episodes, the writers showed off Radar’s softer side when he cuddled his pet guinea pig, Babette. Naturally, Radar stood with his left hand beneath his right, but just as he started to sing, Father John Mulcahy called for him. Burghoff’s hands were visible again as he put the Babette away.
One of the scenes where Burghoff openly showed his left hand came as part of another gag the show pulled. At the start of the scene, Radar could be seen walking across a dirt road while two other military personnel walked away from the camera. The man on Radar’s right first lifted his hand in salute, followed shortly by one on the left.
Radar, the pleasant character he was, lifted his right hand in response to the first salute, as military etiquette dictates. Caught off guard by the quick second salute, Radar lifted his left hand as well, essentially performing a double salute. Feeling sheepish, he frowned and lowered his hands slowly in one of Burghoff’s classic displays of confusion.
Leave a Reply